Getting started · Manual · storyboard.show

What storyboard.show is

storyboard.show turns an idea into a finished AI video in one place. You answer a few questions, Nila — your AI creative director — plans the story, designs each shot, generates the video for it, and hands you a timeline to cut and render. The whole thing lives on a single canvas that grows as you go.

A finished storyboard on the canvas: a trail of step cards leading to rows of shots, with Nila docked bottom-right. — A finished board. Every card is a step you took; every row is a shot Nila built with you.

Create your account

Go to storyboard.show and choose Try the beta.
Sign up with your email. Verify it from the message we send you.
Pick a plan when you're ready to generate — you can explore the canvas first. Plans and credits are covered in Credits & plans.

Setup: the first four cards

Nila opens with a greeting and then asks four quick questions. Each one is a card on the canvas; answer it and the next card appears along the trail.

Name — what to call this storyboard. You can rename it later from the title at the top-left.
Platform — where the video is headed (Instagram Reel, YouTube, and so on). This sets sensible defaults for the next two.
Aspect — the shape of the frame: vertical 9:16, square, or widescreen 16:9.
Length — how long the finished video should be. Nila breaks this into shots later.

The stage rail at the top of the canvas showing the moon phases for Setup, Format, Length, Story and Next. — The rail at the top tracks where you are. Each moon fills as its stage completes.

Your story and Nila's Notebook

Next, Nila asks what your story is: the outline, who it's for, and what it needs to do. From that she drafts Nila's Notebook — the treatment, the cast, locations and props, the scenes, and a beat sheet — which becomes the plan for every card on the board. Read it, edit anything, and accept it. The Notebook stays one click away from Nila's dock for the rest of the project.

Nila's Notebook drawer open over the canvas, showing the treatment and the beat sheet. — Nila's Notebook: the treatment on top, then the cast, the places, the scenes and the beat sheet. All of it is yours to edit.

The scenes are where the setup lives. Each one is a place at a time of day — its light, who is there and what they wear, how they stand, what the frame is about and how it's framed. The beat sheet then only says, for every shot, which scene it is a camera on and what happens in it, beat by beat — plus, if you like, an editor move for the finished clip (a slow push-in, a drift) that the Editor's finishing pass applies.

The Scenes section of Nila's Notebook: Scene 1 with its where, time, light, who, props, wardrobe, posture, expression, hero, camera and frame fields, and the still note. — A scene in the Notebook carries the whole setup; a shot in the beat sheet is its scene and its beats.

Then she asks how to drive: Manual, where she pauses at every card for your call, or Autopilot, where she runs the board end to end and you step in whenever you like. Manual is the right choice for a first board.